| carriepollack@gmail.com |
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| EDUCATION |
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| 2011 |
MA, Art Education, New York University |
| 2001 |
MFA, The University of Iowa, Iowa City, IA |
| 1995 |
BFA, Alfred University, Alfred, NY |
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| EXHIBITIONS |
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| 2012 |
Minus Space en Oaxaca, Curated by Matthew Deleget and Emi Winter, Instituto de Artes Gráficas de Oaxaca, Mexico |
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Witness, MINUS SPACE, Brooklyn, NY (solo) |
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Flashback, Alfred University, Curated by Lissy Bloomster and StephanieMcMahon, Alfred, NY |
| 2011 |
Work Hard, Curated by Jon Lutz/Daily Operation, Wildlife, Brooklyn, NY |
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Invitational, Invited by Hedwig Brouckaert, Galerie Jan Dhaese, Gent, Belgium |
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Between This Light and That and Space, Curated by Douglas Meilni, MINUS SPACE, Brooklyn, NY |
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Mirrored Thoughts/Spaces Between, Curated by Stephanie Adamowicz, Spattered Columns, New York, NY |
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Carrie Pollack/Mariah Dekkenga, The Sea Ranch, Northampton, MA |
| 2010 |
Additions, with Daily Operation, Monster Island, Williamsburg, Brooklyn |
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what you can see, what I can see, mhstudio, Greenpoint, Brooklyn |
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Real Nonfiction, Curated by Baseera Kahn and Jon Lutz, BRIC Rotunda Gallery, Brooklyn, NY |
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METALLIKA, Curated by Patrick Brennan, Monya Rowe Gallery, NY, NY |
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Worlds Greatest, Bushwick Open Studios, Organized by Jon Lutz and Gina Beavers |
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Artists Editions/Daily Operation, Curated by Jon Lutz, dailyoperation.org |
| 2009 |
The Real World, Curated by Jesse Hamerman, Deli Storeroom, Brooklyn, NY |
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Mirror, Ewing Gallery, The University of Tennessee, Knoxville, TN (solo) |
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Central and Remote, Curated by Jon Lutz, 45-23rd st, LIC, NY |
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Perception as Object, Monya Rowe Gallery, NY, NY |
| 2008 |
Quiet Pioneer, Material Arts Space, Memphis, TN (solo) |
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Call and Response, Curated by Gianna Commito, Kent State University, Kent, OH |
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The Art of Kunstoffice, Concordia College, Seward, Nebraska |
| 2007 |
Annual Art Print Series, Sonnenzimmer Print Shop, Chicago, IL |
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Project Space, Fort Grunt Aquarium, Durham, NC |
| 2006 |
Grid,
Moser Performing Arts Center, University of St. Francis, Joliet, IL |
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I Was a Sunbeam, David Krut Projects, NY, NY |
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Reductive: Minimalism Now, Mahan Gallery, Columbus, OH |
| 2005 |
28
Days, Wendy
Cooper Gallery, Chicago, IL |
| 2004 |
Technature, with Jiha Moon, kunstoffice,
Berlin, Germany |
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wide
area network, with Amze Emmons, Cora Stafford Gallery@The University of Northern Texas,
Denton, TX |
| 2003 |
Dinosaurs, Curated by Sydney Cohen, Los Medanos Community
College, Oakland, CA |
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Marks, Fishtank
Gallery, Brooklyn, NY |
| 2002 |
Boundary
Work, Cedar Rapids
Museum of Art, Cedar Rapids, IA (solo) |
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| PRESS |
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| 2011 |
“Between This Light and That Space” A group show in which less serves up a whole lot of more, Sarah Schmerler, Time Out NY, July 14-20 |
| 2010 |
Concern for Veiled Spirituality, Robert Egert, WG, Sept Issue, http://thewgnews.com/2010/09/16466/ |
2009 |
Interview with Jon Lutz, The Old Gold, Jan 5, 2009, www.dailyoperation.org |
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"Glimmerglass" Chris Barrett, Metropulse, Knoxville, TN, Jan 14, 2009 |
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"Exhibit focuses on everyday items" Sharon Bible, The Daily Beacon, Knoxville, TN, Jan 7, 2009 |
| 2008 |
“Call and Response”, The Old Gold, www.theoldgold.blogspot.com/2008/11/call-response-carrie-pollack.html |
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“Abstract art show takes shape”, Dorothy Shinn, Ohio.com, Nov. 19, www.ohio.com/entertainment/34163249.html |
| 2003 |
Free Williamsburg, http://www.freewilliamsburg.com/july_2003/artcrawl.html |
| 2001 |
Amanda
Pierre, 2 Iowans, 2 art styles", Des Moines Register, December 16, 2001,
3E |
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CRMA welcomes 2 new exhibits, Cedar Rapids Gazette, December
9, 2001 |
| 1997 |
"Community
Profile-The Art and Science of Soil"-November, ART
ACCESS, Seattle, WA |
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| RESIDENCIES |
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| 2006 |
Yaddo,
Saratoga Springs, NY |
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Jentel
Artist Residency Program, Banner, WY |
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Virginia
Center for the Creative Arts, Amherst, VA |
| 1996 |
Vermont Studio
Center, Johnson, VT |
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Chautauqua
School of Art, Chautauqua, NY |
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